Schiaparelli's Autumn/Winter 2025 collection blends surrealist motifs with wearable elegance

Inspired by the women in Daniel Roseberry's life

Schiaparelli
(Image credit: Schiaparelli)

A favourite amongst the A-list, Schiaparelli has had quite a stellar start to Paris Fashion Week. Coming off the back of the Academy Awards, where Ariana Grande was seen wearing a gravity-defying 3D corset dress from the brand's Spring/Summer 2025 couture show, plus a custom gown for her opening performance. There's no denying that creative director Daniel Roseberry's design prowess has taken the industry by storm.

Further proving his intricate craftsmanship, he presented a sublime collection that explored the complexities between womenswear and menswear. Asking himself core questions that relate to the Schiaparelli woman: What makes women feel both special and comfortable? How do they dress in their daily lives? What do they want from their clothes?

The result? A 43-piece collection that combines female and male dressing archetypes, the Schiaparelli way.

Schiaparelli AW25

(Image credit: Schiaparelli)

Opening the show was Gigi Hadid in a black wool crepe jacket with an oversized tonal shearling collar. Featuring a silhouette instantly recognisable as a Schiaparelli motif, a cinched corseted waist that nods to Elsa Schiaparelli's surrealist touches.

Following Hadid's lead were key outerwear pieces paired with cowboy pants and gold metal XL belt buckle belts, which alluded to Roseberry's Texan upbringing through Western motifs. Faux-fur-lined coats with exaggerated shoulders were transformed into floor-length evening capes with long collars.

Schiaparelli AW25

(Image credit: Schiaparelli)

As part of the brand's infamous eveningwear offering, this collection included a two-piece butter-yellow faux-fur jacket and a deconstructed asymmetrical dress, as well as an oversized coat with feathers and a matching pencil skirt paired with ankle-grazing cowboy boots.

Red-carpet-worthy gowns comprised of satin-ribbon asymmetric designs, embroidered glass bugle beaded halter dresses, bustier silhouettes with embellished golden discs, and antique silver mirrors. Other ready-to-wear dresses were made of electric blue velvet, with jersey fringes and tassel detailing.

Schiaparelli AW25

(Image credit: Schiaparelli)

Reimagining Schiaparelli's couture exploration seen on the runways during January's Haute Couture shows within a ready-to-wear angle that still retains the brand's surrealist motifs—which Schiaparelli fans know all too well. This adds an extra touch of significance when combined with the inspiration behind this collection: the women in Roseberry's life and their everyday wardrobe.

"I’ve spent the past few months speaking less and listening more. I wanted to make things that can inspire, and that can never be replicated by fast fashion. The women in my life are lone stars—there’s no one else like them, and there could never be. I hope they, and all women, feel the same about these clothes," says Roseberry.

Sofia Piza
Fashion Writer

Sofia Piza is the Fashion Writer at Marie Claire UK. With extensive experience and a degree in Fashion Journalism, she covers runway trends, shopping picks, celebrity fashion, and industry news.

Throughout her career, Sofia's work has ranged from in-depth interviews with industry experts and high-profile celebrities to creative production for editorial cover shoots and red-carpet coverage. Born in Mexico and raised in five countries, Sofia's multicultural upbringing has fed into her interest in international markets, leading her fashion week coverage across London, Milan, Paris, New York, and Copenhagen.

When she's not sourcing inspiration from social media, you will find Sofia anywhere from a local vintage market to busy central London streets, people watching to make sure she brings you the latest trends, from the best denim pieces to the must-have investment bags- the possibilities are endless.